Jaime Pitarch: The Ryder Projects

Having lived in London all my life it’s always fun to stumble across a new museum or gallery, and hidden down a side street a couple of minutes’ walk from Bethnal Green tube station is The Ryder Projects; a year old converted industrial shelter now promoting early and mid-career artists. Here I discovered Jaime Pitarch’s solo show ‘Time Matters’. Although modest, the space has enough height to have impact and the exposed brick, beams and pipework work sympathetically with the pieces on display. As you enter the space a recommissioned set of bedside drawers (part of the artists’ Momentum series) greets you at jaunty angle – now dysfunctional as a piece of furniture Pitarch uses a clever system of balances and imbalances to keep it suspended precariously. What looks like a simple grey woollen blanket is draped on the back wall behind this, however on closer inspection you realise that the green string has been unwoven from the blanket and is gathered in a ball; typically these blankets are used to transport artworks and so the piece introduces discussion about the economics of the art industry. Continuing with the economic theme, a mobile created from wire and small coinage hangs above the other artworks. It is entitled ‘Calderilla’ which is similar the artists’ native Spanish word for ‘small change’ (carderilla) but is also a humorous play on sculptor Alexander Calder’s name, who heavily influenced this piece. A final darkened area at the rear of the space attempts to make the concept of time more tangible, through a video projection and accompanying sound of a needle against a vinyl record covered in dust having been left in a studio over a period of time. All of the pieces are constructed from cheap or disused materials and it is enjoyable to see an artist exploring complex and sophisticated themes including time, value and productivity through simple, everyday objects.

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