Five clusters of vintage projectors are littered across the 4th floor of the The Photographers Gallery, initially looking more like an art installation than a photography exhibition. Once inside the space you quickly realise that they are projecting images directly onto the gallery walls; moreover as a visitor you are encouraged to activate the projectors yourself and control how the various images appear and disappear, and are layered over one another. The images were all taken between the late 1950’s and early 1970’s by the Uruguayan photojournalist Aurelio Gonzalez, who hid 48,626 negatives from the press archive of the country’s Communist newspaper El Popular ahead of the dictatorships’ censorship in 1973. Gonzalez ensconced the slides in a wall cavity in his office building in Montevideo for decades, only recovering them in 2006! The Centre de Fotografia de Montevideo subsequently restored, classified and digitised the archive, and in 2011 the Brazilian artist Rosangela Renno created this exhibition in response to the images. Obviously some heavy editing needed to be done with an archive approaching 50,000 photos, so Renno chose a small selection of images which best depicted the economic decline, protest and civil unrest that preceded the coup, and manipulated the archival black and white slides into digital images we see in this show. Little of this uprising survives in historical or photographic records, and Renno endured similar conditions herself during the military repression of Brazil during her lifetime – making her an apt artist to tell this story. Small red plastic tags attached to the projectors list search terms from the archive’s cataloguing system, offering insights into how the archive has been organised and increase your level of engagement with the photos. Likewise the constant clunking mechanisms of the old projectors intermingles with the Communist Internationale music playing in the background, making the images appear even more powerful.
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