On the lower-ground floor of Harris Lindsay at 67 Jermyn Street, you’ll discover the ‘Orion Stumbles’ exhibition featuring a selection of Francis West’s paintings on the legend of Orion alongside several of his Nocturnes. This gallery space curated by Megan Piper within an arts and antiquities dealership is an apt location for this exhibition focusing on the mythological figure of Orion – the blind hunter who walked across the sea to be healed by the sun God. Akin to all of West’s work (including his earlier drawings, pastels and paintings) the pieces in this show portray figurative forms in a state of metamorphosis. Whilst his Nocturnes are dark, dream-like, and at times bordering on the grotesque, his paintings on Orion in contrast use vivid purples and blues, and are far lighter and less oppressive. This disparity is made more poignant when you realise that West recently passed away in December 2015, and that the painting I was most drawn to is the final piece created by the artist entitled ‘Death of a Poet’. Despite consciously exploring the theme of death, the painting feels spirited and optimistic rather than fearful, with a shadowy allegorical figure of death in the bottom corner tempered by bird taking flight within the same scene. Physically, it is also larger and visibly more ambitious than the Nocturne canvases that surround it. I was moved to learn that this piece was painted from West’s deathbed with the support of his wife – and it felt not only rare, but fascinating and compelling to view an artwork from this psychological perspective and gain an insight into the optimism West had towards death at such a pivotal moment. I’d certainly suggest a visit to Piccadilly to catch the exhibition before it closes on 11th November.
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