The National Technical Museum: Prague

I won’t lie, I was far from enthused by the prospect of spending hours inside The National Technical Museum in Prague, but was outvoted by the males on our festive trip to the Czech capital. The National Museum, numerous art galleries, monasteries and libraries brimming with antique books were far higher on my agenda, but was pleasantly surprised and impressed. The museum is housed in an enormous concrete and brick building adjacent to Letna Park with views over the Vlatva river, and I was immediately won over by the gruff looking but utterly charming old(er) man who sold us our tickets and took the time to share much information about the museum with us! The collection is vast; comprising transport, architecture and civil engineering, printing, mining, astronomy, horology, photography and household appliances across six floors. The stand-out gallery is dedicated to transport and takes up the entire back of the building with a triple height exhibition hall filled with bicycles, motorbikes, cars, trains, planes suspended from the ceiling, and even a hot air-balloon charting the history of developments in Czech transportation. With fourteen large permanent displays as well as the temporary exhibition and only two hours allotted for our visit, we decided to focus on printing and architecture. The printing gallery mimics an antiquated print shop with typesetting blocks, printing presses from various periods, newspaper and bookbinding machinery, and outlines the role print material played in developing the country’s national consciousness. Similarly the architecture gallery documents the most significant buildings erected across Czechoslovakia over the last century via original models, plans, sketches, photographs of their construction and replicas – and I enjoyed recognising and learning more about the civic landmarks I had already visited or walked past in the city. Despite my reservations, this museum challenged my preconceptions and highlighted how important technical innovations are in all our lives in myriad ways.

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Gregory Crewdson: The Photographers’ Gallery

‘Cathedral of the Pines’ conjures thoughts of religious buildings carved from pine trees, but instead is name of a forest trail in the American rural town of Beckett, Massachusetts and the inspiration behind Gregory Crewdson’s latest body of work currently on display at The Photographers’ Gallery. It is the first time the Gallery has dedicated all three floors to one artist and contains all 31 large-scale images from this series, allowing visitors to view the entire body of work rather than just selected pieces. At first glance the exhibition as a whole can feel a little repetitive; with many images featuring bleak landscape scenes or simple domestic settings, however on closer inspection you begin to appreciate the detail and atmosphere created within each one. These details are often a little sinister; footsteps in the ground, an unexpected reflection in a mirror or window pane, or items that seem out of place in their environment. The people and settings in each frame also contradict each other, with figures standing still but naked in the snow, or on a riverbank, or as a couple in the back of a truck within a dense forest, making you question the narrative that has led up to each scene or ‘moment’ captured – and indeed what might come next. Credwson’s photography is famously likened to film as he creates cinematic-style sets and hires actors or models to pose within these sets, however this series recalls film in a more climatic capacity creating visual suspense in much the same way as directors Alfred Hitchcock or David Lynch. Unusually this series includes natives to Beckett as well as some of Crwedsons friends and family rather than actors or models, and he describes it as his most personal project to date. On display until 8th October it’s certainly worth escaping the crowds of Oxford Street and spending some time exploring the oddly calm dystopia of this exhibition!

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