The smell of paper, and more specifically warm paper going through a shredding machine is the first thing that hits you as you enter the doors of Chisenhale Gallery. Situated by the canal in east London, it’s not the typical scent of a cavernous warehouse, but a surprisingly welcome one at that! The introductory text on the first wall helps explains the smell, as the current exhibition is a new commission titled ‘Some Context’ by Manchester born – but now New York based – artist Hannah Black featuring a pile of 20,000 copies of a book and multiple shredders. Inside each of the copies of the book (entitled ‘The Situation’) is a different interpretation of a conversation between the artist and her friends about ‘the situation’ which will all be shredded at the end of the exhibition. The floor of the gallery is littered with a carpet of already shredded copies of ‘The Situation’, eight shredding machines, various small sculptures created out of modelling clay, and several “transitional objects” which look like cuddly toys. Through reading the accompanying exhibition notes, I learnt that the toys are also going to be shredded at the close of the exhibition – however I still failed to grasp their relevance beyond that. Black argues that the show “gestures towards the various potential uses of art’s uselessness” and so perhaps I (somewhat ironically) picked up on that in my view of the ‘useless’ cuddly toys. On a more positive note, a programme of events including a series of conversations where the public can come together to discuss a situation of their choice will also be taking place throughout the duration of the exhibition, complementing the commission nicely. On display until the 10th December I’d certainly suggest poking your head into this interesting commission, and seeing if you appreciate the inclusion of the cuddly toys any more than I did!
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