This years’ annual Taylor Wessing Photographic Portrait Prize elicited 4,292 submissions from 2,201 photographers and provided a refreshing mix of famous faces (Benedict Cumberbatch, The Obamas and Peter Capaldi) as well as informal portraits of photographers’ friends and families, and spur of the moment images captured by street photographers across a wide range of global locations. I didn’t personally agree with the 2015 winners and found David Stewarts’ ‘Five Girls’ first prize portrait of his teenage daughter and four friends sitting at a table unduly posed, unnatural and a little stiff. Similarly, the runner up prize ‘Hector’ – a portrait of a naked baby inspired by Caravaggio’s 17th century ‘Sleeping Cupid’ by Anoush Abrar, simply left me cold. The exhibition did nonetheless include some wonderful portraits, and a personal favourite was an inkjet print of the Japanese artist Yayoi Kasuma by Noriko Takasugi which much like its subject was full of character and bursting with colour. Similarly ‘Happy Pupil’ by Mark Chivers captured a genuine and heart-warming moment when a Ugandan boy called Owen smiled infectiously across his classroom (as his education is funded through the charity Lessons for Life). At the other end of the spectrum, hard hitting issues were addressed by Lithuanian photographer Viktorija Vaisvilate Skirutiene in a portrait of her four year old neighbour naked in the window holding up his toy gun, shot in solemn black and white, producing a powerfully disturbing image. Closer to home ‘Constable Robling and Fintab’ a portrait of Britain’s first female UK policewomen to become a dog handler by Adrian Peacock captured an aggressive Fintab (the Alsatian) with gnarled teeth and visible tension on his lead, all humorously explained by the dogs’ hostility towards photographers! As always, I left feeling excited about next years’ prize and what 2016 will have to offer.
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