After coffee in Borough Market and a wonderfully free afternoon, I found myself walking along the river towards Vauxhall and Damien Hirst’s Newport Street gallery. Its inaugural exhibition showcases the daring palette of British abstract artist John Hoyland, focussing on his large-scale Power Stations painted between 1964 and 1982. Spanning six large galleries, spread over two floors adjoined by sublime spiral staircases, this exhibition certainly has impact! Each gallery has clean white walls and contains a maximum of seven huge canvases (with many home to as few as four), allowing the audacious colours of Hoyland’s palette to really stand out, and enough space for each piece to be appreciated before shifting your focus onto the next one. Born in Sheffield in 1934, Hoyland moved to London in 1956 to attend the Royal Academy – however it was not until his first trip to New York and subsequent encounters with artists including Rothko, Motherwell, Kenneth Noland and Barnett Newman as well as the sculptural works of Anthony Caro, that his style showcased in ‘Power Stations’ began to emerge. Although the exhibition takes a chronological approach, the prudent curation makes you forget the concept of time. Instead intense colour and evolving style divert your attention; initial washes of reds, greens and greys with geometric shapes floating freely on the canvas are replaced with creams, pinks and nudes with strong brush strokes and obvious use of a palette knife, and finally bright block colour combined with diamond, rhomboid and triangle shapes. Likewise the sheer scale of each piece alone is enough to impress. I only regret that I failed to visit before the closing weekend of the show as I would have enjoyed seeing Hoyland’s work again, but look forward to revisiting the space for the upcoming Jeff Koons exhibition in May.
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