I am deeply suspicious of immersive theatrical experiences and have a palpable dislike of forced audience participation, so had my concerns about attending Dreamthinkspeak’s new production at Shoreditch Town Hall. Inspired by The Duchess of Argyll’s residence at a London hotel for over a decade until her eviction in the 1980’s, ‘Absent’ uses the Town Hall’s labyrinthine basement as the set for a journey “guests” can enjoy at their own pace. Upon arrival, I immediately bought into the deception of it being a real hotel, complete with reception and check-in area, functioning bar, and doormen leading you down to the basement where the hotel façade continues. With no idea what to expect when entering the first bedroom, black and white films of a glamorous dinner and a two-way mirror allowing you to see into the next bedroom where a drunk and disorientated older woman is packing her suitcase, ease you into the story. Moving down the corridor, you can look into each of the hotel bedrooms via keyholes and peepholes to view the same woman at different life stages; an innocent child, elegant young lady, and lonely older woman. Influences range from Lewis Caroll’s Alice in Wonderland, to C.S Lewis’ Narnia and Orwell’s 1984 – and the integration of film, installation, eerie soundtrack and detailed miniatures of the rooms you are standing in, make navigating your way through the building intriguing and utterly absorbing. The maze-like basement constantly alters in scale, and oscillates between the real (actual rooms) and the imaginary (film, installation, replica miniatures) making you feel as though you are stepping into scenes you have been watching or moments from the past. As you exit the final room a doorman is required to inform you that the experience is over, testament to its authenticity and to how convincing an illusion has been created.
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