Raven Row is undoubtedly one of my favourite galleries, located in east London near Spitalfields Market in two adjoining eighteenth century townhouses on Artillery Lane (aptly known as Raven Row until 1895). It is eccentric without being pretentious, large enough to get lost in but still feels intimate, and always host to something curious. Its current exhibition ‘The Ulm Model’ is no different, educating visitors about the lesser known German school of design which only operated for a short period between 1953 and 1968. This exhibition was exactly what I wanted from my Sunday afternoon… a relaxed cultural fix without feeling protracted or contrived. The curation is simple and uncluttered, and specially designed display structures showcase items ranging from weighing machines to crockery, electric razors, traffic lights and petrol cans. As well as the objects themselves, the exhibition also includes drawings, models and prototypes created by the schools’ students as well as sections dedicated to some of their more progressive work for corporate clients, namely Braun and Lutfhansa. The key pieces that captured my attention include Dieter Raffler & Peter Raacke’s multi coloured plastic shell suitcases, Hans Roericht’s TC 100 stacking set of teapots, cups and saucers, as well as Hans Gugelot & Dieter Ram’s record player designed for Braun. The original wooden floorboards, fireplaces and other period features of the building juxtapose against the modernist design of these objects nicely, and exploring the various rooms and corridors of this gallery unsure what you might find around the next corner adds another element. Whether you are a design geek or neophyte, I’d suggest taking advantage of this exhibition and paying a visit before mid December while these German works’ are collectively on display in London.
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