The view out of the fifth floor window at The Photographers’ Gallery is one of my favourite in London… a floor-to-ceiling clear aspect down Great Portland Street, hovering above Oxford Street and the hurried residents, shoppers, tourists, and general throng below. It also mirrors several of the large scale crowd images currently on display within Alex Prager’s mid-career retrospective. The American photographers’ “Crowd Series” features highly stylised shots of streets, beaches, airports and cinemas from an aerial perspective, allowing you to observe the scene from an unusual vantage point (echoed by the fifth floor window). In the middle of the still shots, a temporary cinema space projects Prager’s most ambitious work – a film installation. I must confess I am not typically a fan of film installations, however I was utterly absorbed by the narrative which jumps between close ups of individuals within the crowd before moving back into the swarm of people, and is projected across different and often multiple walls, before finally being projected on all three simultaneously! In addition to the crowd scenes, close up portraits of a Hitchcock inspired female surrounded by flapping birds, a brunette woman lying on a lurid green bedspread smoking a cigarette, a ballerina caught mid pose, and a female in a vivid yellow dress suspended from a red car bonnet hanging in the sky all compliment the film installation where Prager’s protagonist (within each crowd) is always a woman. Group shots and landscapes are also present; a trio of suited males taken from below looking up, a bikini-clad foursome chatting against a bright blue sky, a burning house against a deserted backdrop, and a congregation facing away from the camera to watch a rocket taking off, all enjoyably hark back to kitsch Americana! I’d certainly suggest a visit and immersing yourself in Silverlake Drive before it closes in October.
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