As a child and into my teens I would rub the belly of a small gold statuette of Ganesh – the Hindu elephant god – for luck. This idol was my grandfathers’, found while he was deployed in the Burma Campaign during World War II, and retained by him and now my mother. As a result, or perhaps with no bearing at all, our family has an affinity with elephants and I was intrigued to come across the ‘Herd of Hope’ in Spitalfields Market. Twenty-one bronze life size sculptures currently grace the east London market, having migrated from their former dwellings in Marble Arch. The largest sculpture represents the matriarch and is flanked by twenty smaller orphan sculptures, all by Australian artist duo Gillie and Marc in an effort to raise awareness of the Sheldrick Wildlife Trust. The elephants sit in juxtaposition to their urban surroundings; one in front of a coffee shop, another outside a takeaway food outlet, and others outside office blocks. Though perhaps the intention is to encourage us to question our relationship with our habitats, and the impact human tourism, poaching and conflict has had on wildlife. Each orphan has a name and personal plight, from Ambo who was found stuck in a waterhole abandoned by the herd, to Musiara who was discovered collapsed having lagged behind his herd, and Sattao who was orphaned as a result of poaching and found wandering by tourists with injuries from a predator attack. Using bronze as a medium allows for the cracks, creases and idiosyncratic textures of their skin to be highlighted. Several of the elephants are depicted standing, some are seated or lying down, some have their trunks held high and a scannable QR code enables you to learn more about each orphans rescue and rehabilitation. Deprived of museums, galleries and exhibitions until lockdown restrictions ease and arts venues can re-open, this troop provided a dose of outdoor culture.