On a humid London afternoon, the cold concrete space at Kate MacGarry offered some welcome refreshment… albeit with a sweating watermelon and various other surreal sculptures, installations and paintings which litter the gallery! The current ‘Dream Works’ exhibition is dedicated to four artists; two from the UK, one American and one Dutch who all explore ideas around surrealism, shape and form, and irrationality through a variety of mediums. The first of three concrete sculptures of oversized cucurbtia (google informs me this is a root vegetable akin to a squash!) is displayed on the floor as you enter, and a series of acrylic paintings by Luke Rudolf unified by their use of similar repetitive shapes in different colour palettes line the wall. As the corridor opens out into the gallery proper, a floor to ceiling wallpaper of a sweating watermelon and installation entitled ‘Bolobo Lamp’ both by British artist Jonathan Trayte dominate the space. These are joined by two prints of original watercolours by Dutch painter Madelon Vriesendorp and an oil on canvas work by American artist Jordan Kasey. Vriesdendorp’s piece ‘Flagrant Delit’ comes from an animation film made for French television and tells the story of the Statue of Liberty’s visit as a tourist to New York city, and her second work similarly offers an unusual take on city-scapes entitled ‘The City of the Captive Globe Revisited’. Jordan Kasey’s painting echoes the greys of the concrete sculptures and detail in both Rudolf and Vriesdendorp pieces, and zooms in on a small section of a staircase, making something mundane appear far more surreal. There is something overtly fun, arguably silly, and quietly challenging about all these works and I left the gallery smiling to myself as I re-emerged into the clammy city-scape of my own.
Behind an inconspicuous door and adjoining metal shutter on Herald Street, you’ll find the aptly named Herald Street Gallery. Feeling slightly frazzled from a hectic work week and with absolutely no desire to head into central London, I embraced my local east end culture this weekend… and with Maureen Paley, Laura Bartlett and The Ryder Project gallery spaces all on the same street – there’s no need to venture any further! It was my first visit to Herald Street Gallery but certainly won’t be my last, as the current Cary Kwok exhibition spanning both rooms of the gallery provoked, entertained and excited me (as all good exhibitions should). Kwok is a hugely talented Hong Kong born, London based artist who specialises in fine detail drawing – explicit in the seven ink, pencil and acrylic pieces on display in this solo show. The overarching theme is homosexuality within a sprawling metropolis; one that could be Hong Kong, London, Tokyo or Manhattan and where the architecture makes reference to various historic styles from ancient Greece and Rome, to medieval castles, gothic-revival follies, colonial arches, brutalist high-rises, 1920’s art-deco and hybrids of every era in between. Within these buildings, oversized muscular men in homoerotic scenes ranging from two male figures with erections serving as fountains, a pink palace where the supporting beams are created by naked males in acrobatic poses, and shop signs full of camp innuendo including ‘Have a Cock’ in Coca-Cola’s irrefutable design are all embedded. Alongside these drawings is one sculpture, entitled ‘Arrival (La Belle Epoque), which looks like a beautiful art-deco lamp. On closer inspection you realise that the lamp-stand is in fact a wooden penis and what I thought was the melting wax light is actually spurting semen! So if you fancy some tongue in cheek humour with your art, get down to Bethnal Green before 25th September when the show closes.