Evans, Janssens and Ortega: White Cube, Bermondsey

Three exhibitions for the price of one! In fact three exhibitions for the price of none if you head over to White Cube Bermondsey who offer free admission and are currently host to three different artists across their north, south and 9x9x9 gallery spaces. The first space you enter off the main corridor contains Cerith Wyn Evans’ huge neon installation ‘Neon Forms (After Noh IV) which is suspended from the ceiling and almost reaches the floor, combining single lines of light amidst chaotic overlapping assemblages. The north gallery space compliments the first show, as Ann Veronica Janssens’ sculptural works similarly play with light and perception; including halogen lamps, venetian blinds covered in gold leaf, reflective and mirrored surfaces and a spillage of glitter across the floor. The final (and largest) south gallery space is dedicated to Damian Ortega which again includes large-scale sculptures and installations alongside two-dimensional pieces. Orange infographics are pinned to the white walls, and although the imagery relates to a camera manual, the workings of a gun, or the planets within the solar system, closer inspection reveals that the labels are philosophical and comment on the impact technology has had on people’s faith and belief. Within these two-dimensional works are a series of industrial and mechanical sculptures such as the coliseum created from concrete blocks in concentric circles, and the clever ‘Deconstructing time’ sculptures which comprise the inner workings of a watch enlarged to an enormous scale and separated across the floor or stacked in free standing towers. The weather may be turning grey and miserable as autumn sets in, but the change in season also initiates the opening of several inspiring exhibitions to keep you indoors and happily distracted from the weather outside – and White Cube’s current offering certainly falls into that category!

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