Seven large-scale photographic images dominate the top floor of The Photographers Gallery, making a bold impression by Noemie Goudal in her first solo London exhibition. All seven works on display in ‘Southern Light Stations’ are entirely new, previously unseen pieces created this year. As soon as you enter the Gallery you can’t help but notice the floor to ceiling observatory-style architectural structure which houses six glass stereoscopes. These cleverly display pairs of separate cloud images, creating a single three-dimensional image by depicting left-eye and right-eye views of the same scene. Clouds and the sky prove to be a recurring theme in Goudal’s work and indeed this exhibition as four of the large-scale photographic images show spherical objects (which could be the sun, moon, planets or other celestial bodies) floating above different landscapes including the sea, mountains, a desert/sand, and a beach/pebbly surface. After closer inspection you can also see ropes, scaffolding and other signs of construction around the spheres, alluding to the artists’ interest and research into early astronomy from antiquity, through to the Middle Ages and pre-Enlightenment. These spheres are accompanied by three photographic images of large-scale telescopic structures suspended above water; these ‘Towers’ are mythical, otherworldly and not dissimilar to some of the concrete structures that survive across Eastern Europe following the collapse of communism – and highlight Goudal’s desire to play with the real versus the imagined. The exhibition also plays with darkness and light as two of the spheres are very dark (perhaps referencing an eclipse) whilst the other two are incredibly light and almost merge into the clouds they are floating in. The fact that there is no interpretive information inside the exhibition space forces visitors to really look at the images, think about what they are viewing and question exactly what they may or may not be.
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